The wedding ceremony is one of the most difficult. The bride is at the center of the wedding ceremony, since marriage itself is perceived as its transition from one family to another, to the new “father-mother”.
During the wedding ritual cycle, songs and lamentations are actually sung, which are not perceived as songs. The lamentations mourn the fate of the girl and at the same time explain the ritual actions. Wailed the bride herself and her girlfriends, who practically did not leave her for a week before the wedding.
One of the most frequent images in her cry is a white swan, lagging behind its flock and nailed to the gray geese, which hostilely accept it. In lamentations, one can hear fear of a new life, as well as longing for kindred and still fun.
People also ask
What is the top 10 wedding songs?
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This does not mean at all that any bride was reluctant to marry or that only those who were given against her will wailed. Just lamentations, according to ancient tradition, were obligatory for any wedding, and they ended by the time of departure to the church for the wedding. There are no more brides; there is a young one.
Along with lamentations, songs were simply performed. The song is easier, more dynamic than lamentation, it is sung faster and more fun, it does not emphasize the severity of family life, on the contrary, the everyday side of marriage is embellished, as, for example, in carols.
The appearance of the bride and groom in the songs is close to the ideal, a model of beauty - light brown braids, white face, sable eyebrows. The bride and groom often appear in the form of birds, animals, trees: the bride is a swan, pava, apple tree, grape berry; groom - falcon, kite, nightingale, oak.
During the wedding feast, special majestic songs are addressed, addressed to various participants in the event: the bride and groom, their parents, matchmaker, guests. Here, as in calendar terms, an idealized description of a person is given.
Coral songs are sung at the end of the wedding feast. These are comic grandees. In them the same faces are ridiculed, condemned.
Coral songs were addressed not only to guests at the wedding feast, but also to otherworldly forces, which should ensure the bride’s successful transition to a new state and a happy marriage life. Over time, the original role of the core songs was forgotten, and they began to be perceived simply as comic.
During the wedding ritual cycle, songs and lamentations are actually sung, which are not perceived as songs. The lamentations mourn the fate of the girl and at the same time explain the ritual actions. Wailed the bride herself and her girlfriends, who practically did not leave her for a week before the wedding.
One of the most frequent images in her cry is a white swan, lagging behind its flock and nailed to the gray geese, which hostilely accept it. In lamentations, one can hear fear of a new life, as well as longing for kindred and still fun.
People also ask
What is the top 10 wedding songs?
What are best wedding songs?
What is the best song to dance to at a wedding?
What is the classic wedding song?
What is the number 1 wedding song?
This does not mean at all that any bride was reluctant to marry or that only those who were given against her will wailed. Just lamentations, according to ancient tradition, were obligatory for any wedding, and they ended by the time of departure to the church for the wedding. There are no more brides; there is a young one.
Along with lamentations, songs were simply performed. The song is easier, more dynamic than lamentation, it is sung faster and more fun, it does not emphasize the severity of family life, on the contrary, the everyday side of marriage is embellished, as, for example, in carols.
The appearance of the bride and groom in the songs is close to the ideal, a model of beauty - light brown braids, white face, sable eyebrows. The bride and groom often appear in the form of birds, animals, trees: the bride is a swan, pava, apple tree, grape berry; groom - falcon, kite, nightingale, oak.
During the wedding feast, special majestic songs are addressed, addressed to various participants in the event: the bride and groom, their parents, matchmaker, guests. Here, as in calendar terms, an idealized description of a person is given.
Coral songs are sung at the end of the wedding feast. These are comic grandees. In them the same faces are ridiculed, condemned.
Coral songs were addressed not only to guests at the wedding feast, but also to otherworldly forces, which should ensure the bride’s successful transition to a new state and a happy marriage life. Over time, the original role of the core songs was forgotten, and they began to be perceived simply as comic.
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